Riccardo Ancona

Riccardo Ancona is a sound artist and researcher. He is pursuing a PhD in musicology at the University of Bologna, focusing on computational aesthetics in algorithmic music. His current research trajectories include formal theories of sonic computation, the ethical and socio-cultural implications of applying neural networks to sound, the archival study of pioneering computer music programs, and the exploration of the creative potentials of contemporary algorithmic performance. He studied at the Research Center for Audiovisual Processing (CREA) at the Licinio Refice Conservatory, where he later taught a course on process-based music, and completed a research master's degree at the Institute of Sonology in Den Haag. His artistic practice spans electroacoustic improvisation, live coding, and sound design for theaters, museums, and archaeological sites. He also curates Miniature Recs.

[email protected]

Writings

XXIV CIM Proceedings, Associazione Informatica Musicale Italiana, Turin, 2024

Research master thesis, Institute of Sonology, Den Haag, 2023

with Giovanni Onorato, Rethinking the History of Technology-based Music Conference, University of Huddersfield, 2022

with Alessandro Cipriani, Organised Sound 27(1), 2022

Thesis, Conservatorio Licinio Refice, Frosinone, 2020

Works

for hourglass, four speakers, algorithmic program, and four weirdly-faced die
cycle of neural audio miniatures
8-channel sensor-based performance
cross-adaptive laptop ensemble
non-idiomatic electroacoustic quartet
cycle of algorithmic microtonal counterpointal miniatures
textural noise performance
sensor-based electroacoustic performance
cycle of acousmatic compositions
audiovisual installation
non-idiomatic electroacoustic trio
braindance/dub music duo
binaural soundtrack for experimental theater
aleatoric electroacoustic performance
analog noise impro duo
soundtrack for experimental theater play in archeological sites
textural music
soundtrack for experimental theater play in hospital